By Alvi, Jurnalis, Solider.id

02 August 2021 - 08:59

A close-up profile photo of Nanik Indarti, smiling to the camera.
Image description: A close-up profile photo of Nanik Indarti, smiling to the camera.  ©

Documentation Nanik Indarti

2018 was a special year for Nanik Indarti, a woman with a short stature (disproportionate dwarfism), in performing arts which she has been involved in since graduating from college in 2011. She, who is Bachelor of Theater Arts graduated from Indonesian Art Institute of Yogyakarta (ISI Yogyakarta), founded the Unique Project Community and made her first theater performance entitled “Sepatu yang Sama, Kisah Jiwa dan Angka (The Same Shoes, The Story of the Soul and Numerals)”, after her proposal passed as one of the grant recipients.  

However, making an independent work was not as easy as she imagined. Nanik then explored what is inside of her as Achondroplasia, the scientific name for people with short stature like her. Nanik herself knows and understands that Achondroplasia is a variety of physical disabilities. In the same year, she arranged a theatrical performance together with other short stature friends. The term of differently able Achondroplasia has become a problem, even now, because some of her friends who have short stature do not feel that they are differently able (diffable). 

Not only theater, in her first debut, Nanik also wrote a book entitled Aku Perempuan Unique (I am a Unique Woman). This book raises 7 life stories of short stature women who have experienced bullying, harassment, and personal experiences of how they came into the world as achondroplasia. Nanik said that his friends had doubts at the beginning of writing their respective life stories. But when the words were arranged into sentences, the stories they wrote were like a kind of release of feelings that had been hidden for so long. 

“Many people who are have short stature are not ready and don't even want to talk about their past in public. For me, past experiences were past and now is the future. So past experiences are okay to tell so people know who we are.” said Nanik.

In 2019, Nanik created a theatrical work entitled “Kahanan (Situation)”. This second theater show further deepened the various problems faced by differently able Achondroplasia people such as bullying in the educational realm, marriage issues, for example, the couple's parents are about marrying to a woman with short stature will have short-stature offspring, including work problems where physical size becomes an obstacle and other gender issues. 

Nanik also recalls that when she worked at several art institutions, she also often received bad attitudes from colleagues who underestimated her. A person with a disability needs to prove many times over to show that s/he is capable, then other people will believe, so that Nanik can't help but follow the community's perspective by becoming a facilitator and meeting officials, just to show her abilities. 

Pinning the word ‘Unique’ as the name of her community, this 36-year-old woman doesn't mean that she wants to accept the stigma of society that considers them unique in a negative connotation, but she realizes that she and her friends are indeed unique. People are familiar with those who have unique characteristics, not only physically, but also works in performing arts that are different from the roles of short-stature people in the entertainment world who tend to objectify through roles, for example as tuyul (an imp; small, like a child; but would never grow larger and usually is used by human beings to make money through invisible theft of money).  From this phenomenon, Nanik wants to show short-stature people who prioritize their work rather than being constantly physically exploited. 

A photo of Nanik Indarti in a performance, she's sitting on a wooden bench, with her right hand extended facing the floor and left hand lifted above.
Image description: A photo of Nanik Indarti in a performance, she's sitting on a wooden bench, with her right hand extended facing the floor and left hand lifted above.  ©

Docmumentation Jogja TV

The perspective of art activists in Yogyakarta is considered quite advanced, as evidenced by the support from senior artists for the work and the solidity of the Unique Project Community. Being a female artist with a disability in Yogyakarta, Nanik considers it important to publish her work through social media, as well as always being consistent in her work. Women with disabilities have not been widely written about by the media, even though according to Nanik there are still many women with disabilities who are not widely known by the public. They pursue fine arts, performances and other arts. The reasons are, among others, individual factors who rarely work or they are still confused about finding space so that their work cannot be widely published. 

“If we don't speak up, people won't know who we are and what we're doing. By making works, people know the theater works of women with disabilities, issue of disability, issue that has never been raised, thus opening up new insights and becoming a novelty for art, especially in Jogja.” 

From the government’s perspective, according to Nanik, the government has not made much effort to appreciate disabled artists. Differently able (diffable/disabled) persons are not seen as having equal abilities, only from the point of view of their disabilities, so they only need to be pitied. Nanik thinks that it is important to include the identity of Achondroplasia diffables because they have not been identified as diffables whose professions are artists.

“I am happy to be given access because I am seen as an artist, not because I have a disability. The only diffable is my body! If I do explain who I am as Achondroplasia diffable, I think this is important so that we are more visible! Before identifying myself with an identity as a diffable, I was only seen as an artist, but when I introduced myself as Achondroplasia, I opened up other friends to also recognize themselves and become more visible by creating community forums in various regions. But the downside is, I feel like I’m being compartmentalized or asking to be specific, but actually that’s not the case."

In addition to publication and consistency, Nanik emphasized the need for collaboration, both with fellow Achondroplasia disabled friends and collaboration with other disabled artists. Although the challenge is that the needs of people with short stature with other types of disabilities will be different, so the concept of art presented is also clearly different. 

“This forum for disabled artists is necessary, but not for us to specialize, but to provide creative space so that they are equal to non-disabled artists and collaborate together. In the past, I joined other communities with the achievements of the work only for the sake of aesthetics, now I always think that my work has real value for my community.” concluded Nanik. []