The inclusive dance film project Convergence Of Grace: Uniting Worlds Through Dance features a collaboration between British dancer Kadafi Mulula and Indonesian dancer Arif “Onelegz.”
Inspiring and uniting two continents and cultures through the universal language of dance, Convergence Of Grace: Uniting Worlds Through Dance is an inclusive dance film project featuring a collaboration between British dancer Kadafi Mulula and Indonesian dancer Arif “Onelegz.”
This project was produced by Kitapoleng, a dance and film company based in Bali consisting of deaf dancers and filmmakers, and supported by We Are Epic, an inclusive arts organisation that supports international collaboration for underrepresented artists, of which Kadafi is one of its Associate Dance Artists.
This project is supported by the British Council, which enabled Kadafi to travel to Bali for a 10-day residency. All parties stayed in Bali to design, rehearse and film the dance on location during the residency.
Inclusive Artistic Expression
The idea for this film arose from a desire to create inclusive and transformative art. As a platform, Kitapoleng consistently creates works or organises projects that involve artists with disabilities. Interestingly, this initiative came about even though Kitapoleng was originally formed solely to produce dance performances. Kitapoleng has also collaborated with Arif “Onelegz”, one of which was at the Festival Bebas Batas, National Gallery of Indonesia, Jakarta, in 2018.
As a dancer, Arif “Onelegz” is known for his expressive movements and resilient spirit. His works transcend conventional performance forms and expectations, redefining what it means to be a dancer. Meanwhile, Kadafi, as a collaborator, is an experienced and versatile dancer who has been involved in cross-cultural projects. Thanks to their complementary skills, their collaboration feels natural, accompanied by mutual respect and a vision to create inclusive artworks.
Residency to Learn Togetherness
After finding out that the British Council was funding this project through the Connections Through Culture programme, the creative process began through virtual meetings. Arif and Kadafi explored ideas, exchanged stories, and shared their love of dance, before deciding on the tone of the film. Throughout the process, this collaboration spanning two continents required patience, flexibility, and openness to each other’s backgrounds.
Kadafi arrived at the perfect time. When he heard that the British Council was funding the project, Kadafi had just completed a two-year internship at Company Chameleon and was about to transition into a new role as a Company Dancer. During the residency and involvement in the filmmaking process, Kadafi felt like part of a family and experienced a genuine sense of belonging, despite being the only British artist in the project.
Kadafi also had the opportunity to immerse himself in Balinese culture, as the island has a unique tradition of dance art. Kadafi noted, “It was amazing, I really went back to the rawness of how dance makes me feel. I really loved that scene, like the breathing, the nature, really feeling in my body and soul and being grounded to the soil.”