Results of the Connections Through Culture UK-Southeast Asia Online Collaboration Grants 2020 will be sent via email to all applicants, whether accepted or declined, starting 1 December 2020 Tuesday. Thank you for your patience.

 

About the Programme

For the 2020-2021 part of the programme, we will be supporting online collaboration projects between Southeast Asia and the UK. Available grants in 2020 in Southeast Asia: Indonesia, Malaysia, Philippines, Thailand and Vietnam. 

Connections Through Culture (CTC) is an arts grants programme run by the British Council in the UK and East Asia. It was established in August 2019 in Southeast Asia to provide grants to residents of the UK, Indonesia, Malaysia, Myanmar, the Philippines, Thailand and Vietnam from the following groups: 

  • Artists 
  • Cultural and arts professionals
  • Representatives of art collectives, networks or organisations 

It was created to further international face-to-face discussions needed to develop projects beyond initial expressions of interest. It built on the wider CTC programme that has been running in China since 2006.  

In October 2020 we will be accepting applications for Connections Through Culture Online Grants. Projects will be needed to be completed between January to June 2021. 

The primary objective is to support exchanges and collaborations between the UK and Southeast Asia. Prior to Covid-19, this would have most likely involved international travel. However, with travel restricted and uncertain, the CTC grant should be used to develop and strengthen new and existing relationships between the UK and Southeast Asia, by providing funding to allow conversations to happen, and for the possibilities of online collaboration to be explored.  

Celebrating the diverse cultural expression in both regions, the programme offers support, information, advice and networking opportunities for professional development. Grantees both from the UK and the East Asian countries benefit from the inspiration gained from exchanging ideas and sharing their cultural history. 

We particularly invite collaborations that focus on gender, race, ethnicity, disability, inclusion, ageing and other areas of diversity. 

When is the deadline? 

Applications close on 8 November 2020

How to apply? 

Read the guidance notes and apply via  this application site.

What is the value of each grant? 

For individual artists or professionals or, for cultural originations or collectives living in the UK or in any of the five (Indonesia, Malaysia, the Philippines, Thailand and Vietnam) Southeast Asian countries featured in this programme: £2,500 to £7,500. 

What is the grant for? 

  • Time. Time for those from the UK and Southeast Asia to initiate connections together for new digital/online networking and new art and cultural projects through conversations or platforms  
    - Online or digital art residencies
    - Online or digital exhibitions or showcases
    - Online or digital conferences or webinars
    - Art and cultural online or digital archives and research
    - Online or digital toolkits 
  • Face to face, public versions of the activities mentioned above in your home country (subject to any local health restrictions that may be in place). 
  • 70% of the grant is an artistic fee, and must be split equally between the Southeast Asia applicant(s), organisation or collective, and the UK applicant(s), organisation or collective. In your application, list 70% of the grant requested for this purpose.  
  • The remaining 30% can be used as a per diem for those who will be supporting you with the project (e.g. if you need a graphic designer as you don’t have those skills), software (e.g. zoom account), or local travel and accommodation costs that may be required. With regards to local air travel, we are encouraging digital/online collaboration, so if you do plan local air travel, please explain why this is essential in your application. In your application form it is important you make it clear how this 30% will be spent. 

What is the grant NOT for? 

  • International travel and accommodation. 
  • Not for academic institutions
  • Not for funding bodies
  • Not for Southeast Asian nationals living outside of the five countries mentioned in this call. 
  • Not for UK individuals based (living) outside of the United Kingdom, unless temporarily living outside of the United Kingdom but retaining a home address in the United Kingdom and defined by Her Majesty’s Revenue & Customs as ‘resident the in the UK’ for tax – see here

Connections Through Culture UK-Southeast Asia Online Collaboration Grantees, 2020-2021:

Indonesia

Grantee Counterpart/s Project
Jogja Disability Arts: Butong Idar (Yogyakarta) Disability Murals (UK Disabled Peoples Council) (Bristol) Netas / Incubate' Disability Murals Project 2021: Collaborative murals (one in Indonesia and another in UK), with video and book to document conceptualisation, process and exchanges. 
Corali Dance Company: Sarah Archdeacon (Jakarta/Bandung) GIGI Art of Dance (Brighton) Digital Dance Toolkit Development: Design and test a digital dance toolkit based on Corali’s artistic methodologies to be made accessible publicly.
Edward Riman (UK) Ninda Felina (ID) & Prabumi (ID) Digital Music Collaboration: Recording sounds from sites threatened by climate change. 
Makassar Writers Festival: Lily Yulianti Farid (ID) Literature Across Frontiers (UK Storytelling project for d/Deaf writers, with support from Disability Arts Cymru (UK)
Flatpack Projects: Ian Francis (Birmingham) Sahabat Seni Nusantara (Jakarta) Urban Legends: Film festival exchange on the horror genre highlighting diverse voices of Islam and LGBTQ
Emma Frankland (Brighton) Tamarra (Yogyakarta) Trans Performance Exchange - From My Land to Your Land: Six month dialogue with six performance pieces created over digital platforms, links to land, river and oceans, and drawing on trans communities
Impermanence: Joshua Ben-Tovim and Roseanna Anderson (London) Studio Hanafi: Heru Joni Putra and Irfan Setiawan (Jakarta) Online art residency examining the theme of 'arrival' based on three epic poems/writings by historical Indonesian poets about Raffles. Geological links between UK-ID, highlighting impact of mining and extraction industry
Cryptic UK: Robbie Thomson (Scotland) WAFT Lab (Surabaya) Megalithic Transportation International - digital residency between four artists from Cryptic (UK) and WAFT Lab (ID) using megalithic sites to explore ideas of community, technology and communication
No Bounds Festival: Liam O'Shea (Sheffield) Yesnowave (ID) Online residencies and Ccllaboration between artists Nkisi (UK) and Gabber Modus Operandi (ID); decolonialisation of music / global south club movement
Zoo Co Creative Ltd: Florence O'Mahoney (London) Komunitas Sakatoya: Basundara Murba Anggana (Jakarta) CareCrisis enables two theatre companies to test a new digital performance format, with live performers from Sakatoya, and live, projected performances by Zoo Co. Explorating ecology, nature and care of older people. Short film of the digital rehearsal residency footage.
Bagong Kussudiardja Foundation: Jeannie Park (Jakarta) The Paper Birds (Leeds) The School of Hope': An online artistic global citizenship project led by UK theatre company The Paper Birds and hosted by PSBK art centre in Yogyakarta; using arts to engage Young Indonesians and artists in the concept of “empathy”.
Intersastra: Gaia Khairina (Jakarta) Khairani Barokka (London) Writing and performance workshops for transwomen in Indonesia and the UK, resulting in a digital library of short stories and filmed performances based on the storiesamplify and celebrate transwomen’s voices, and subvert tropes of representation by having transwomen define the creative bodymind in physical and digital spaces. We will hold 2 public Zoom discussions to nurture intersectional solidarity between the two countries.
Ballet ID: Mariska Febriyani (Jakarta) Marc Brew Company: Marc Robert Brew (London) DANCE DIALOGUE: Digital art residency between artists, exploring the concept of space and restrictions. 

Malaysia

Grantee Counterpart/s Project
Hands Percussions Sdn Bhd: Goh Seang Hong (MY) Paul Philbert (Edinburgh) LIFECYCLE 2021: A progression check-in after initial two projects (RI YUE CHU YIN 2011 and Tchaikovsky on Gamelan in 2014). Organic approach to composing a new piece for the Malay gamelan, and Malaysian composition will be synergised with composer. 
Eliza Collin (London) Borneo Art Collective: Wendy Teo (Kuching) Digital exchange research and workshops on sustainability of mud in design and its cultural intricacies. Four workshops at Think & Think space. Promoting the use of mud as a material shines a light on our damaging modern design practices.
Art Dialogo Asia: Anna Karina Jardin (Kuala Lumpur, Southeast Asia-wide) Let's Reinvent: Bien King (London) ART-I-CULATE programme: Open call to youth 14-18 (20 from 12 UK regions and 5 ASEAN countries): Masterclasses, artistic collaborations, cultural dialogues and exhibition
Sonia Luhong Wan (Borneo) Catriona Maddocks, creatives of northeast of England  Borneo Bengkel - NORTH / EAST: Collaborative exchanges, conversations and interactions between creative practitioners from the North East of England, East Malaysia and Kalimantan
Alistair Debling (Bristol) Khatijah Rahmat (MY) On the Queer Time of Elephants: A Cross-Cultural Experimental Film: Digital art residency, online exhibition and screenings in the UK and Malaysia, documenting the different temporalities experienced by a young queer artist in a locked-down city and an artist-researcher studying Asian elephants in the remote Malaysian jungle.
KL Shakespeare Players: Lim Soon-Heng (Kuala Lumpur) Leo Sykes Libanio (London) OBJECTing Shakespeare:  Workshops on objects in Shakespeare, exploring how to transform them playfully in Shakespeare productions for non-native English-speaking children.
Laura Porter (Devon) Lee Mok Yee (MY) Online collaborative residency between Malaysian-based mixed-media artist Lee Mok Yee and UK-based sculpture and installation artist Laura Porter, over a eight-week period.

Philippines

 

Grantee Counterpart/s Project
Renan Laru-an (Sultan Kudarat) Helena Hunter; Mandy El-Sayegh (England) Into the year of birds and clouds (Motions of this Kind 2021 Digital Archives and Research)
MATIC HUB: Patricia Kyle Gillera Mendoza (Manila) Gillian Easson (Dundee) Materials library expansion – Art and cultural research collaboration between UNESCO Creative Cities of Design: Cebu  and Dundee
Thirty-Three Thirty-Three: Nathan Comer (London) LaVerne de la Peña (Quezon City) Livestream performance of Filipino composer José Maceda’s work ‘Udlot-Udlot’ through Filipino community in Japan, UK counterpart working with Japanese university
Everything Green Trading and Consulting: Camille Rose Albarracin (Quezon City) Ericka Ilah Santiago (England) Agri-waste to Fashion (Footwear and Accessories) Collaboration: Design hackathon using agricultural materials between PH and UK designers involving local artisans (disabled, farmers, woman group artisan). 
Nathalie Dagmang (Manila) Curating Development: Deirdre McKay (England) Situating soundscapes and textures of migration: A psychogeographic map of the Filipino diaspora during the COVID-19 pandemic: Online curation on PH migrants using Zoom calls as methdology and content
Niya B (London) Bunny Cadag (Manila) Intimate Threads - performance making and gender plurality in the UK and the Philippines: online residencies and performances
*PH Arts and Creative Economy Research Grant: Stephanie Tudtud (UK respondents) Research on the need for a 'practical maker space' in Cebu, using UK case studies. Researcher drawing on her experience and contacts as Cardiff Met alumna.
*PH Arts and Creative Economy Research Grant: Diego Maranan (UK respondents) Research on how underutilised arts and science collaboration in the PH can spur innovation, using UK case studies. Researcher drawing on his experience and contacts as University of Plymouth alumnus
*PH Arts and Creative Economy Research Grant:  Maya Tamayo-Gutierrez (UK respondents) Research on roadmap for more inclusive arts and creative economy policy, engaging female government leaders; Includes experts and case studies from UK cultural policies.

Thailand

Grantee Counterpart/s Project
Invisible Flock: Catherine Baxendale (England) Siwakorn Odachao, Jennifer Katanyoutanant (Bangkok and Northern Thailand) Walk Like a Bee: Online workshops with Karen tribe elders facilitated by a design lab. Online and offline tools added to community mapping to support the online sharing and documentation of traditional rotational farming, a form of adaptation to Climate Change. Dialogue will be shared online as publications and at the 7th Asia-Pacific Adaptation Forum, taking place online during March 2021, hosted by the Stockholm Environment Institute.
Piyawat Louislapprasert (Nakhon Pathom) Scott Wilson (England), among other UK and Thai artists Resilience, Distance, Connection in Isolation Space from Afar: Online cultural exchange workshops, discussions, digital exhibitions, and virtual performances exchanging music and ideas between several UK and Thai artists on themes such as Cultural exchange and musical voices (Southeast Asian Instruments, UK Sound art/field recordings, etc.), resilience and collaboration in isolation, technology.
Anya Muangkote (Bangkok) Charlene Smith (England) Regenerative Districts - #1 Watthana: Building a network of local creatives and businesses to create a creative and regenerative circular economy in Thailand, enabling the sourcing of biomass from organic waste to develop local biodegradable artefacts/crafts/designs.The activities consist of research, material making workshops, showcases.
Asiatopia: Chumpon Apisuk (Nan, northern Thailand) Sinead O'Donnell (Northern Ireland) Closer Distancing: Artistic Connectivity with COVID-19: A series of online artistic collaboraitons and public live-streaming using online and digital platforms as well as digital archives to create new work in performance arts.
 Baff Akoto (England) Adulaya Hoontrakul (TH) Diasporic Blackness in the SE Asian context:  A Digital Artist Residency to undertake research into contemporary Diasporic Blackness in the SE Asian context.

Vietnam

Grantee Counterpart/s Project
Harry Maberly (Glasgow) Hồ Nguyễn Hải Đăng (Hanoi and Ho Chi Minh City) GAP | GẶP: online movement film exploring connection, distance, and the role of digital intimacy in contemporary UK & Vietnamese queer culture. 
Heather Lander (Glasgow) Linh Hà (Hanoi) An impression of your presence, your place: Online audiovisual artwork and exchange
Van Huynh Company: Dam Van Huynh (London) MORUA: Ngo Thanh Phuong (Hoi An) Sound Barrier (working title): Online cultural exchange and contemporary dance showcase
Sally Lai (Manchester) Richard Streitmatter-Tran (VN) The Studios Project, Asia: An online platform of artists' studiosresearch about artist studios role, and online curatorial resource

For further information regarding British Council’s response on Covid-19, please visit www.britishcouncil.org/arts/response-covid-19.